Eyecon Video Productions

read moreEyecon Video Production's studio include a white cyc wall for that seamless infinity background. We also have a flexible hard set with brick wall facade, desk or backdrop. In addition, we have a full greenscreen wall that can be pulled out for complete head to toe keying. Eyecon Video can also create custom made, multi-camera virtual studio that have the look and feel of a million dollar set at a fraction of the cost.

read moreEyecon Video Productions has teamed up with one of the best creative minds in the business. Specializing in new business, Gregg will bring a creative edge to your projects that you get from expensive, blue chip agencies at a fraction of the cost.

read moreIn addition, we can provide complete editing services on location if requested.

read moreOne of the most often asked questions is, "How do I get all of these little jaggies off of the edges of my Chroma-keyed subject?" And the popular cure-all seems to be the proper lighting of your Chroma-key blue wall (or back-drop). Not just a wimpy little 100 watt light aimed somewhere in the general direction of the background, but a host of lights that literally flood the background. We're talking a minimum of two 250 watt quartz halogens aimed at the backdrop from high and off to each side so that they will not inadvertently cast any shadows from your key subject (who should be standing at least three feet out from the backdrop).

read moreWith equipment using two or four cells, the mistake is usually very evident because of improper or non-operation after the battery change. What about the Nagra or a field mixing panel that used a dozen D cells? If you accidentally put a cell in backwards, it will still work fine and is hard to detect. They do make batteries very distinctive in appearance to reduce the problem, but it still happens. What is the effect of this mistake? A reversed cell will still conduct; however, the battery voltage will be several volts lower, and that is a very easy warning sign to miss.

read moreWhen it comes to looking good on camera, makeup is not just for women anymore. Video producers often overlook this critical first step for several reasons. Perhaps they don't want to infer their talent doesn't already look their best; they don't want to take the time; or lacking a knowledgeable woman on the set, they simply don't know how to apply even the basics. Put your talent, and yourself, at ease by acknowledging that even the best looking and blemish-free models, news anchors, and spokespersons (both male and female) always wear makeup on camera.